{"id":2409,"date":"2022-09-07T11:52:28","date_gmt":"2022-09-07T09:52:28","guid":{"rendered":"https:\/\/fondazionemacsa.org\/degli-oddis-palace\/the-lady-apartment\/"},"modified":"2023-02-07T11:44:18","modified_gmt":"2023-02-07T10:44:18","slug":"the-lady-apartment","status":"publish","type":"page","link":"https:\/\/fondazionemacsa.org\/en\/degli-oddis-palace\/the-lady-apartment\/","title":{"rendered":"The &#8220;Lady Apartment&#8221;"},"content":{"rendered":"\n<div class=\"wp-block-group alignwide has-global-padding is-content-justification-left is-layout-constrained wp-container-core-group-is-layout-b03550c8 wp-block-group-is-layout-constrained\" style=\"padding-top:0;padding-right:0;padding-bottom:0;padding-left:0\">\n<p class=\"wp-block-paragraph\">The \u201cLady\u201d that gives name to this palace wing was <strong>Faustina Amedei<\/strong>, <strong>Francesco Maria degli Oddi<\/strong>\u2019s wife, that came here in the middle of Eighteenth century.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The <strong>Lady Apartment<\/strong> actual set up derives from works commissioned by <strong>Angelo degli Oddi<\/strong> (1814-1871) between 1848 and 1869. The parietal and vaults decorations have been restored in 1997 by <strong>Barbara Marini Clarelli<\/strong>, the last owner.<\/p>\n<\/div>\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<figure class=\"wp-block-image alignwide size-large\"><img data-srcset=\"https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/seconda-anticamera-paesaggi-1024x686.webp 1024w, https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/seconda-anticamera-paesaggi-300x201.webp 300w, https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/seconda-anticamera-paesaggi-768x514.webp 768w, https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/seconda-anticamera-paesaggi-992x665.webp 992w, https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/seconda-anticamera-paesaggi.webp 1451w\" decoding=\"async\"   data-src=\"https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/seconda-anticamera-paesaggi-1024x686.webp\" src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" alt=\"Second landscape waiting room&#10;\" class=\"wp-image-1595 lazyload\"  sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><noscript><img decoding=\"async\" width=\"1024\" height=\"686\" src=\"https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/seconda-anticamera-paesaggi-1024x686.webp\" alt=\"Second landscape waiting room\n\" class=\"wp-image-1595\" srcset=\"https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/seconda-anticamera-paesaggi-1024x686.webp 1024w, https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/seconda-anticamera-paesaggi-300x201.webp 300w, https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/seconda-anticamera-paesaggi-768x514.webp 768w, https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/seconda-anticamera-paesaggi-992x665.webp 992w, https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/seconda-anticamera-paesaggi.webp 1451w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/noscript><figcaption class=\"wp-element-caption\">Second landscape waiting room Whole view in front of the entrance<\/figcaption><\/figure>\n<div class=\"wp-block-columns alignwide t-stacked is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:65%\">\n<figure class=\"wp-block-image size-large\"><img data-srcset=\"https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/seconda-anticamera-paesaggi-2-edited.webp 1270w, https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/seconda-anticamera-paesaggi-2-edited-225x300.webp 225w, https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/seconda-anticamera-paesaggi-2-edited-768x1024.webp 768w, https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/seconda-anticamera-paesaggi-2-edited-1152x1536.webp 1152w, https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/seconda-anticamera-paesaggi-2-edited-744x992.webp 744w\" decoding=\"async\"   data-src=\"https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/seconda-anticamera-paesaggi-2-edited.webp\" src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" alt=\"Second landscape waiting room\" class=\"wp-image-1605 lazyload\"  sizes=\"(max-width: 1270px) 100vw, 1270px\" \/><noscript><img decoding=\"async\" width=\"1270\" height=\"1694\" src=\"https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/seconda-anticamera-paesaggi-2-edited.webp\" alt=\"Second landscape waiting room\" class=\"wp-image-1605\" srcset=\"https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/seconda-anticamera-paesaggi-2-edited.webp 1270w, https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/seconda-anticamera-paesaggi-2-edited-225x300.webp 225w, https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/seconda-anticamera-paesaggi-2-edited-768x1024.webp 768w, https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/seconda-anticamera-paesaggi-2-edited-1152x1536.webp 1152w, https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/seconda-anticamera-paesaggi-2-edited-744x992.webp 744w\" sizes=\"(max-width: 1270px) 100vw, 1270px\" \/><\/noscript><figcaption class=\"wp-element-caption\">Second landscape waiting room<\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:35%\">\n<h2 class=\"wp-block-heading\">Second landscape waiting room<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">From the right door in the Entrance Hall you can have access to the <strong>Second Landscape Waiting Room.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">On the walls there are nine painting of the <strong>second half of Seventeenth century<\/strong> figuring <em>View with ruins, Landscape with biblical and mythological stories<\/em>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Four of them are attributed to the circle of <strong>Giovanni Ghisolfi<\/strong> (1623-1683): <em>View and capriccio with wayfarer ruins, View with Joseph saved from the well, View with perspective architecture and pool, View with Dido\u2019s goodbye to Aeneas<\/em>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Lacustrine landscape with waterfall and circular tower<\/em> was made by <strong>Pietro Montanini<\/strong> (1626-1689).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The pictorial taste of this room is in line with the <strong>First Landscape Waiting Room<\/strong>.<\/p>\n<\/div>\n<\/div>\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<div class=\"wp-block-columns alignwide t-stacked is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-bottom is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:35%\">\n<h2 class=\"wp-block-heading\">The green room<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">From the Second waiting room you can have access to the <strong>Green Room or Fireplace Room.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The space takes its name from the <strong>fireplace<\/strong> inserted in a fake marble painted frame with plaster-silver decorations in relief datable to the half Nineteenth century\u2019s restoration.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The furniture are typical of a <strong>Nineteenth-century-noble living room<\/strong>.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:65%\">\n<figure class=\"wp-block-image size-large\"><img data-srcset=\"https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/salotto-verde-1024x686.webp 1024w, https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/salotto-verde-300x201.webp 300w, https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/salotto-verde-768x514.webp 768w, https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/salotto-verde-992x664.webp 992w, https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/salotto-verde.webp 1471w\" decoding=\"async\"   data-src=\"https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/salotto-verde-1024x686.webp\" src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" alt=\"Green Room or Fireplace Room.\" class=\"wp-image-1589 lazyload\"  sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><noscript><img decoding=\"async\" width=\"1024\" height=\"686\" src=\"https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/salotto-verde-1024x686.webp\" alt=\"Green Room or Fireplace Room.\" class=\"wp-image-1589\" srcset=\"https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/salotto-verde-1024x686.webp 1024w, https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/salotto-verde-300x201.webp 300w, https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/salotto-verde-768x514.webp 768w, https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/salotto-verde-992x664.webp 992w, https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/salotto-verde.webp 1471w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/noscript><figcaption class=\"wp-element-caption\">Green Room or Fireplace Room.<\/figcaption><\/figure><\/div>\n<\/div>\n\n<div class=\"wp-block-columns alignwide t-stacked is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:35%\">\n<p class=\"wp-block-paragraph\">On the walls there are portraits of some important family members.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">On the left of the entrance there\u2019s the <em>Angelo degli Oddi\u2019s portrait<\/em> by the circle of <strong>Silvestro Valeri<\/strong> (1814-1902): the restoration of the Lady Apartment is related to him.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Next to it, there\u2019s <em>Vittoria degli Oddi Marini Clarelli\u2019s portrait<\/em> &#8211; <strong>Angelo degli Oddi\u2019s daughter and Luigi Marini Clarelli\u2019s wife<\/strong> &#8211; painted by <strong>Andrea Scaramucci<\/strong> in 1929.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:31%\">\n<figure class=\"wp-block-image size-large full\"><img data-srcset=\"https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/seconda-anticamera-paesaggi-3-edited.webp 1462w, https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/seconda-anticamera-paesaggi-3-edited-225x300.webp 225w, https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/seconda-anticamera-paesaggi-3-edited-769x1024.webp 769w, https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/seconda-anticamera-paesaggi-3-edited-768x1023.webp 768w, https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/seconda-anticamera-paesaggi-3-edited-1153x1536.webp 1153w, https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/seconda-anticamera-paesaggi-3-edited-745x992.webp 745w\" decoding=\"async\"   data-src=\"https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/seconda-anticamera-paesaggi-3-edited.webp\" src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" alt=\"\" class=\"wp-image-1615 lazyload\"  sizes=\"(max-width: 1462px) 100vw, 1462px\" \/><noscript><img decoding=\"async\" width=\"1462\" height=\"1948\" src=\"https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/seconda-anticamera-paesaggi-3-edited.webp\" alt=\"\" class=\"wp-image-1615\" srcset=\"https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/seconda-anticamera-paesaggi-3-edited.webp 1462w, https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/seconda-anticamera-paesaggi-3-edited-225x300.webp 225w, https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/seconda-anticamera-paesaggi-3-edited-769x1024.webp 769w, https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/seconda-anticamera-paesaggi-3-edited-768x1023.webp 768w, https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/seconda-anticamera-paesaggi-3-edited-1153x1536.webp 1153w, https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/seconda-anticamera-paesaggi-3-edited-745x992.webp 745w\" sizes=\"(max-width: 1462px) 100vw, 1462px\" \/><\/noscript><\/figure><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:32.5%\">\n<figure class=\"wp-block-image size-large\"><img data-srcset=\"https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/ritratto-vittoria-oddi-1-edited.webp 1098w, https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/ritratto-vittoria-oddi-1-edited-225x300.webp 225w, https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/ritratto-vittoria-oddi-1-edited-767x1024.webp 767w, https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/ritratto-vittoria-oddi-1-edited-768x1025.webp 768w, https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/ritratto-vittoria-oddi-1-edited-743x992.webp 743w\" decoding=\"async\"   data-src=\"https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/ritratto-vittoria-oddi-1-edited.webp\" src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" alt=\"Vittoria degli Oddi Marini Clarelli's portrait\" class=\"wp-image-1618 lazyload\"  sizes=\"(max-width: 1098px) 100vw, 1098px\" \/><noscript><img decoding=\"async\" width=\"1098\" height=\"1465\" src=\"https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/ritratto-vittoria-oddi-1-edited.webp\" alt=\"Vittoria degli Oddi Marini Clarelli&#039;s portrait\" class=\"wp-image-1618\" srcset=\"https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/ritratto-vittoria-oddi-1-edited.webp 1098w, https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/ritratto-vittoria-oddi-1-edited-225x300.webp 225w, https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/ritratto-vittoria-oddi-1-edited-767x1024.webp 767w, https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/ritratto-vittoria-oddi-1-edited-768x1025.webp 768w, https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/ritratto-vittoria-oddi-1-edited-743x992.webp 743w\" sizes=\"(max-width: 1098px) 100vw, 1098px\" \/><\/noscript><figcaption class=\"wp-element-caption\"><em>Vittoria degli Oddi Marini Clarelli&#8217;s Portrait<\/em>, 1929, Andrea Scaramucci.<\/figcaption><\/figure><\/div>\n<\/div>\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column t-stacked is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:65%\">\n<figure class=\"wp-block-image size-large\"><img data-srcset=\"https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/studiolino-nonna-1024x686.webp 1024w, https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/studiolino-nonna-300x201.webp 300w, https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/studiolino-nonna-768x514.webp 768w, https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/studiolino-nonna-992x664.webp 992w, https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/studiolino-nonna.webp 1471w\" decoding=\"async\"   data-src=\"https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/studiolino-nonna-1024x686.webp\" src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" alt=\"Grandmother little studio\" class=\"wp-image-1597 lazyload\"  sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><noscript><img decoding=\"async\" width=\"1024\" height=\"686\" src=\"https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/studiolino-nonna-1024x686.webp\" alt=\"Grandmother little studio\" class=\"wp-image-1597\" srcset=\"https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/studiolino-nonna-1024x686.webp 1024w, https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/studiolino-nonna-300x201.webp 300w, https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/studiolino-nonna-768x514.webp 768w, https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/studiolino-nonna-992x664.webp 992w, https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/studiolino-nonna.webp 1471w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/noscript><figcaption class=\"wp-element-caption\">Grandmother little studio<\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-bottom is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:35.2%\">\n<h2 class=\"wp-block-heading\">Grandmother little studio<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">From the Green room you can enter inside the <strong>Granmother Little Studio<\/strong>, small space wanted by <strong>Vittoria degli Oddi Marini Clarelli<\/strong>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The ceiling is made by <strong>wooden-painted beams<\/strong>, whereas the walls are covered by dark red textile.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">From the window you can admire the underlying <strong>garden<\/strong>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In this room are preserved books, hand-written diaries, photographies and little paintings.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">You can notice the wooden <strong>strongbox<\/strong> strengthen by metal made at the end of Nineteenth century and handmade.<\/p>\n<\/div>\n<\/div>\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n<div class=\"wp-block-columns alignwide t-stacked is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-bottom is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:35%\">\n<h2 class=\"wp-block-heading\">Bedroom<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">The last room of the Apartment is the <strong>Bedroom<\/strong>.<br\/>The actual arrangement is due to <strong>Barbara Marini Clarelli<\/strong> and the <strong>restoration<\/strong> in 1997.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">One of the most interesting furniture is the <strong>prie-dieu<\/strong> with the degli Oddi\u2019s family emblem and the chest of drawers.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:65%\">\n<figure class=\"wp-block-image size-large\"><img data-srcset=\"https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/camera-letto-686x1024.webp 686w, https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/camera-letto-201x300.webp 201w, https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/camera-letto-768x1147.webp 768w, https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/camera-letto-1028x1536.webp 1028w, https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/camera-letto-664x992.webp 664w, https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/camera-letto.webp 1157w\" decoding=\"async\"   data-src=\"https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/camera-letto-686x1024.webp\" src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" alt=\"Bedroom seen by the windows on the garden\" class=\"wp-image-1585 lazyload\"  sizes=\"(max-width: 686px) 100vw, 686px\" \/><noscript><img decoding=\"async\" width=\"686\" height=\"1024\" src=\"https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/camera-letto-686x1024.webp\" alt=\"Bedroom seen by the windows on the garden\" class=\"wp-image-1585\" srcset=\"https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/camera-letto-686x1024.webp 686w, https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/camera-letto-201x300.webp 201w, https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/camera-letto-768x1147.webp 768w, https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/camera-letto-1028x1536.webp 1028w, https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/camera-letto-664x992.webp 664w, https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/camera-letto.webp 1157w\" sizes=\"(max-width: 686px) 100vw, 686px\" \/><\/noscript><figcaption class=\"wp-element-caption\">Bedroom seen by the windows on the garden<\/figcaption><\/figure><\/div>\n<\/div>\n\n<div class=\"wp-block-columns alignwide t-stacked is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:35%\">\n<p class=\"wp-block-paragraph\">Very interesting the <strong>famous artists\u2019 copies<\/strong>: on the right wall a <em>S. John the Baptist<\/em> by <strong>Caravaggio\u2019s copy<\/strong>; in front of the entrance a <em>Danae<\/em> <strong>copied from Tiziano<\/strong> and <em>Samson and Dalila<\/em> <strong>copied from Orazio Alfani<\/strong>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The date of the copies will be further investigated.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:65%\">\n<figure class=\"wp-block-image size-large\"><img data-srcset=\"https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/camera-letto-2-1024x686.webp 1024w, https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/camera-letto-2-300x201.webp 300w, https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/camera-letto-2-768x514.webp 768w, https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/camera-letto-2-992x664.webp 992w, https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/camera-letto-2.webp 1471w\" decoding=\"async\"   data-src=\"https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/camera-letto-2-1024x686.webp\" src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" alt=\"Beedroom seen from the Green room entrance\" class=\"wp-image-1583 lazyload\"  sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><noscript><img decoding=\"async\" width=\"1024\" height=\"686\" src=\"https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/camera-letto-2-1024x686.webp\" alt=\"Beedroom seen from the Green room entrance\" class=\"wp-image-1583\" srcset=\"https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/camera-letto-2-1024x686.webp 1024w, https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/camera-letto-2-300x201.webp 300w, https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/camera-letto-2-768x514.webp 768w, https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/camera-letto-2-992x664.webp 992w, https:\/\/fondazionemacsa.org\/wp-content\/uploads\/2022\/11\/camera-letto-2.webp 1471w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/noscript><figcaption class=\"wp-element-caption\">Beedroom seen from the Green room entrance<\/figcaption><\/figure><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>The \u201cLady\u201d that gives name to this palace wing was Faustina Amedei, Francesco Maria degli Oddi\u2019s wife, that came here in the middle of Eighteenth century. The Lady Apartment actual set up derives from works commissioned by Angelo degli Oddi (1814-1871) between 1848 and 1869. The parietal and vaults decorations have been restored in 1997 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1299,"parent":2390,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"wp-custom-template-gallery","meta":{"footnotes":""},"class_list":["post-2409","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The &quot;Lady Apartment&quot; - Fondazione Marini Clarelli Santi<\/title>\n<meta name=\"description\" content=\"The \u201cLady\u201d that gives name to this palace wing was Faustina Amedei, Francesco Maria degli Oddi\u2019s wife, that came here in the middle of Eighteenth century.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fondazionemacsa.org\/en\/degli-oddis-palace\/the-lady-apartment\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The &quot;Lady Apartment&quot; - 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